function changeIt(num) {
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function switchTextOn(num) {
document.getElementById('dtext'+num).style.display = "block";
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function switchTextOff(num) {
document.getElementById('dtext'+num).style.display = "none";
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function changeContent(pic,pwidth) {
if (document.getElementById || document.all) {
var el = document.getElementById? document.getElementById("pics"): document.all["pics"];
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if (el && typeof el.innerHTML != "undefined") {
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if (pic == "kill") {
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function changeContent3(vid) {
if (document.getElementById || document.all) {
var pic = "";
var el = document.getElementById? document.getElementById("videodiv"): document.all["videodiv"];
//var nav = document.getElementById? document.getElementById("navblock2"): document.all["navblock2"];
//nav.style.visibility = "hidden";
if (el && typeof el.innerHTML != "undefined") {
if (vid == "introduction") {
el.innerHTML = '
An Introduction to the HarpejjiTM D1
Tim Meeks provides a 12-minute tour of the harpejji d1. Several instrumental roles (keyboard, bass, rhythm guitar, lead guitar) are demonstrated and a variety of effects are applied. ';
} else if (vid == "hordinski") {
el.innerHTML = '
Ric Hordinski at Phil Keaggy Concert
Ric Hordinski is the only person to touch the harpejji for the first time AND play a solo on it in concert... all in the same day! We captured it all on video. Listen to his ethereal sounds, accompanied by Phil Keaggy himself on guitar! ';
} else if (vid == "exploring") {
el.innerHTML = '
Exploring Effects with the HarpejjiTM D1
This is a compilation of musical examples taken from Tim´s 12-minute "Introduction" video. No narration, just the music. ';
} else if (vid == "rudess2") {
el.innerHTML = '
Jordan Rudess One-Hand Jam
Jordan Rudess was so anxious to share his first jam with us that he grabbed the nearest camcorder, held it with his left hand and jammed away with his right. We were happy to see him get his chops in no time at all. ';
} else if (vid == "mws") {
el.innerHTML = '
Harpejji Duo at MWS Studio
Tim Meeks and Jason Melani did a harpejji demo in the private studio of Michael W. Smith in Nashville, Tennessee. Here it is captured on video. Because the harpejji has such a wide note range, the traditional roles of bass player and guitar player need not be followed. Tim is covering both bass line and rhythm chords while Jason plays a lead line on top. For other songs, the roles can be switched up. More variety, more fun. ';
} else if (vid == "vid1") {
el.innerHTML = '
Bass Jam: Distorted, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a bass jam with outboard distortion.';
} else if (vid == "vid2") {
el.innerHTML = '
Bass Jam: Dry, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a bass jam with no effects used.';
} else if (vid == "vid3") {
el.innerHTML = '
Bass Jam: Synth, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a bass jam with outboard synth-type effects.';
} else if (vid == "vid4") {
el.innerHTML = '
C Scale: Bass Output, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a C scale played on the bass side of the harpejji.';
} else if (vid == "vid5") {
el.innerHTML = '
C Scale: Treble Output, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a C scale played on the treble side of the harpejji.';
} else if (vid == "vid6") {
el.innerHTML = '
Film Score with EBow, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. The first part of this video shows Jim playing on the treble side of the harpejji d1 with an EBow (www.ebow.com). In the second half, we see Jim playing the percussive bass lines.';
} else if (vid == "vid7") {
el.innerHTML = '
Modern Country: Bass Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a modern country song that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the bass line.';
} else if (vid == "vid8") {
el.innerHTML = '
Modern Country: Treble Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a modern country song that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the arpeggios on the treble side of the instrument.';
} else if (vid == "vid9") {
el.innerHTML = '
Modern Rock: Bass Track, by Jim Daneker
This is a U2-inspired demo that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the bass line; the treble arpeggio is Jim playing The Edge´s part from "Where The Streets Have No Name."';
} else if (vid == "vid10") {
el.innerHTML = '
Modern Rock: Treble Track, by Jim Daneker
This is a U2-inspired demo that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing The Edge´s part from "Where The Streets Have No Name."';
} else if (vid == "vid11") {
el.innerHTML = '
Traditional Country: Bass Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a traditional country song that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the bass line.';
} else if (vid == "vid12") {
el.innerHTML = '
Traditional Country: Treble Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a traditional country song that uses the harpejji for some melodic fills as well as the bass line. This clip shows Jim playing the melodic fills on the treble side of the instrument.';
}
}
if (pic == "kill") {
el.innerHTML = "";
//nav.style.visibility = "visible";
}
}
}
function changeContent3(vid) {
if (document.getElementById || document.all) {
var pic = "";
var el = document.getElementById? document.getElementById("videodiv"): document.all["videodiv"];
//var nav = document.getElementById? document.getElementById("navblock2"): document.all["navblock2"];
//nav.style.visibility = "hidden";
if (el && typeof el.innerHTML != "undefined") {
if (vid == "introduction") {
el.innerHTML = '
An Introduction to the HarpejjiTM D1
Tim Meeks provides a 12-minute tour of the harpejji d1. Several instrumental roles (keyboard, bass, rhythm guitar, lead guitar) are demonstrated and a variety of effects are applied. ';
} else if (vid == "hordinski") {
el.innerHTML = '
Ric Hordinski at Phil Keaggy Concert
Ric Hordinski is the only person to touch the harpejji for the first time AND play a solo on it in concert... all in the same day! We captured it all on video. Listen to his ethereal sounds, accompanied by Phil Keaggy himself on guitar! ';
} else if (vid == "exploring") {
el.innerHTML = '
Exploring Effects with the HarpejjiTM D1
This is a compilation of musical examples taken from Tim´s 12-minute "Introduction" video. No narration, just the music. ';
} else if (vid == "rudess2") {
el.innerHTML = '
Jordan Rudess One-Hand Jam
Jordan Rudess was so anxious to share his first jam with us that he grabbed the nearest camcorder, held it with his left hand and jammed away with his right. We were happy to see him get his chops in no time at all. ';
} else if (vid == "mws") {
el.innerHTML = '
Harpejji Duo at MWS Studio
Tim Meeks and Jason Melani did a harpejji demo in the private studio of Michael W. Smith in Nashville, Tennessee. Here it is captured on video. Because the harpejji has such a wide note range, the traditional roles of bass player and guitar player need not be followed. Tim is covering both bass line and rhythm chords while Jason plays a lead line on top. For other songs, the roles can be switched up. More variety, more fun. ';
} else if (vid == "vid1") {
el.innerHTML = '
Bass Jam: Distorted, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a bass jam with outboard distortion.';
} else if (vid == "vid2") {
el.innerHTML = '
Bass Jam: Dry, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a bass jam with no effects used.';
} else if (vid == "vid3") {
el.innerHTML = '
Bass Jam: Synth, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a bass jam with outboard synth-type effects.';
} else if (vid == "vid4") {
el.innerHTML = '
C Scale: Bass Output, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a C scale played on the bass side of the harpejji.';
} else if (vid == "vid5") {
el.innerHTML = '
C Scale: Treble Output, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a C scale played on the treble side of the harpejji.';
} else if (vid == "vid6") {
el.innerHTML = '
Film Score with EBow, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. The first part of this video shows Jim playing on the treble side of the harpejji d1 with an EBow (www.ebow.com). In the second half, we see Jim playing the percussive bass lines.';
} else if (vid == "vid7") {
el.innerHTML = '
Modern Country: Bass Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a modern country song that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the bass line.';
} else if (vid == "vid8") {
el.innerHTML = '
Modern Country: Treble Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a modern country song that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the arpeggios on the treble side of the instrument.';
} else if (vid == "vid9") {
el.innerHTML = '
Modern Rock: Bass Track, by Jim Daneker
This is a U2-inspired demo that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the bass line; the treble arpeggio is Jim playing The Edge´s part from "Where The Streets Have No Name."';
} else if (vid == "vid10") {
el.innerHTML = '
Modern Rock: Treble Track, by Jim Daneker
This is a U2-inspired demo that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing The Edge´s part from "Where The Streets Have No Name."';
} else if (vid == "vid11") {
el.innerHTML = '
Traditional Country: Bass Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a traditional country song that uses the harpejji for some arpeggios as well as the bass line. This clip shows Jim playing the bass line.';
} else if (vid == "vid12") {
el.innerHTML = '
Traditional Country: Treble Track, by Jim Daneker
Written and produced by Jim Daneker at the Whine Cellar Studio near Nashville, TN. This is a traditional country song that uses the harpejji for some melodic fills as well as the bass line. This clip shows Jim playing the melodic fills on the treble side of the instrument.';
}
}
if (pic == "kill") {
el.innerHTML = "";
//nav.style.visibility = "visible";
}
}
}
